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  • Review: The Power of the Subconscious Mind (Joseph Murphy)

    3858-1Over Christmas, I was chatting to Vero’s dad about reading everyone’s favourite books.  He passed me his favourite book ‘The Power of the Subsconscious Mind’ by Joseph Murphy and he mentioned that it helped him out immensely in life.  I was intrigued but a littly wary considering I assumed the book was going to chat about how one should think positively and positive things shall happen.  I consider myself to be an upbeat kind of guy so I thought this may not be needed for my life.

    The book starts out talking about the power of your subconscious mind and ties it into Christian scriptures demonstrating that Christianity is based on showing us that we ourselves have the power to change things in our life, whether it be a physical ailment, a run of bad financial troubles, or problems with others.  I will admit that I cringed at the fact that this seemed to be more of a religious book at first but it drifted off throughout the book.

    I will be honest with you, I used to go to church quite often back in the day.  But then I came to Ottawa and went to a church (which was held in a gynasium) and I swore it was like something out of Sister Act.  This turned me off completely and I haven’t gone to church regularly in the past ten years.  This doesn’t mean I think anything less of the Anglican religion, I just haven’t given it a chance in Ottawa since then.

    While reading this, I realized that I was put aback by the religious tones in the book but then I questioned my own religious beliefs while reading it and realized that I shouldn’t be put aback and that if I believe in Christianity, there’s nothing wrong with reading about it.  Passing by that hurdle (let’s be honest here, it was only in the first two chapters that I really encountered this), I was thoroughly engaged in this book.

    Perhaps it’s at this time that I also should mention that I had to speed through this book because Vero’s Dad was coming into town and Vero said that I had read the book (which I hadn’t!) so I figured I would need to know a little bit about the subject matter before seeing him at dinner the next week!  In the end, he never even brought the subject up!  I felt like I crammed for a test and the Professor didn’t show up!

    The novel talks about how your subconscious mind can give you anything you want.  Let’s talk about healing elements.  If you believe that you are a strong, healthy person, and you keep telling yourself this fact, your subconscious will pick up on the phrase you keep uttering and mentally start to change our body to become more healthy.  A concrete example is of an older woman who had a really bad memory.  She said to herself each day (if not many times a day) “I have a strong memory.  Every day it will grow stronger and stronger.”  and after awhile (let’s say six weeks…I don’t have the book in front of me), she did have a better memory.

    A more extreme example (which…even I find hard to believe) is that of a man whose daughter was ill.  He kept telling himself “I would give my left arm if my daughter would be cured from her ailment.”  Sure enough, he gets into a car accident, loses his arm but mysteriously, his daughter is cured.

    You can see how faith/belief systems come into play throughout this book, as well as a touch of mystic power.  People may cry out “It was a miracle!” when the daughter was cured.  Even the father may think “My thoughts came true.”  As you can see, I’m sure anyone may have a hard time believing this story, but the key to unlocking the power of the subconscious mind is the power of belief.

    The novel continues on the path of how you can’t wish for something, you must believe it to be so.  Let’s take the example of the woman with the bad memory…she had to imagine herself as having a good memory and not to wish for it.  She needed to visualize the end state and believe that this is the person she would become.  They also talk about how this can cure others as well, as in if you think of a healthy, happy friend/family member, then it will be so.  I am giving it a try in visualizing my Dad not having any back pain.  Dad, let me know if in about six weeks you feel great!

    The mechanics of accessing the subconscious mind is an interesting one…they say one of the best times to do so is before you drift off to sleep.  If you tell or visualize something to yourself before drifting off to sleep, it will enter your subconscious.  They even bring up an example of someone’s father passing away and they couldn’t find the will.  This person imagined the will in their mind and the next day, they had a vision of a random bank they had never been to in town.  Sure enough, there was a safety deposit box there.

    I think the real key to the power of the subconscious mind is to actually believe in this stuff.  If you’ve read some of the above examples and said “Hogwash” then chances are, you will never be able to unlock this unlimited potential of the mind.  But if you have an open mind to things, perhaps you can somehow transform yourself or others around you.

    This is definitely a hard subject to talk about around certain people.  I take Mike as a prime example as I was talking about the power of the subconscious mind the other day and you can see him holding back some scepticism.  Heck, maybe even I am still a bit of a sceptic but I should get that out of my system to begin the path of true belief.

    Random Note: Turns out that this may in fact be similar to a book called ‘The Secret’ which (in my circle of friends) was quite popular amongst the ladies.  I’m pretty sure the book dealt with aspects of imagining the best person in the world to come knocking on your door, and it will happen.  Ladies, I must tell you that The Secret must be lying to you, as I am a taken man.

    Thanks to Vero’s Dad for lending me this book.  It was quite the interesting read even though there were a lot of concepts I had already been aware of (Think Positively!).  I enjoyed the aspects of describing how to access your subconscious mind.  I believe that meditation may have something to do with this same principle but it just wasn’t called that in this book.

  • Time to Call out All The Stops!

    Here’s an interesting read about how it’s law that OC Transpo drivers (if not all city bus drivers?) need to call out all stops during their route. This stemmed from a blind man; Terrance Green, getting frustrated with the lack of ‘call-outs’ and brought the 20 year old policy to do so into the court system.

    http://www.ottawacitizen.com/Deadline+looms+calling+stops/1403843/story.html

    You can read the article yourself but my favourite part is this:

    At the time, the company said it would address the problem in a reasonable amount of time. At first, a company directive and spot-checks seemed to be doing the job. But earlier this year, OC Transpo applied for an extension to the end of the year to get the problem solved fully, largely by installing automated systems to announce the stops on all buses.

    Green argued against the extension, saying there’s nothing stopping the company from getting drivers to shout out the stops or use intercoms to do it.

    Damn right Green should argue against the extension. I’m not going to knock on OC Transpo in general this time around, but bring up the fact that some people are so freaking lazy nowadays that they would rather ask for an extension in installing automated systems rather than SPEAKING INTO A MICROPHONE EVERY FIVE MINUTES. Good Lord, this is the equivalent of asking me to reply to every email I receive. “What? That’s a ridiculous request! What do you mean people are expecting a reply? Who cares?!” At least, that’s what I figure is going through the head of some of these drivers.

    You know, I’m not even going to begin to make it look like I know what a city bus driver goes through in a day. I’m sure it’s a grueling job sometime…at least in my head it would be grueling to sit on a bus for eight hours a day (if not more!) and drive around the city a bunch of times. But I would hope that somewhere, the higher principle of being a servant to the public comes into play and everyone should just go out of their way to help out. That’s how I feel as a public servant. We had a woman who worked with us and she would always say “We’re doing the people’s work!” and have a smile on her face. I had never really thought about my life as a public servant until that point. It’s true. I am helping out the public in some way and I’m going to do whatever it takes to help them out. Even if it would require me to announce the name of a stop every couple of blocks which would amount to 100 times a day. Is it tedious work? Perhaps. Does it help out some people on the bus? For sure.

  • Review: Pearl Jam – Ten (Remixed Edition)

    51cxntsmd0l_sl500_aa240_If you don’t know already, Pearl Jam are gearing up to celebrate their 20 years as a band (in 2011) with re-releases of their albums. The first is the re-release of Ten, which is their biggest selling album to date (and to some, their favourite album).

    I love this album and am excited when the Super Deluxe Edition hits my doorstep next week…filled with remastered, remixed copies of the album on both CD and vinyl, along with a vinyl copy of a concert they held, a demo cassette of the first songs Eddie Vedder submitted to the band…there’s a lot of stuff in this set and I’m pumped!

    The remixed album did leak onto the Internet this week so I downloaded it to take a listen. Now, I’m more excited about the remixed album as it will give the listeners a fresh listen to an album they love. Brendan O’Brien has mixed all the Pearl Jam albums except for the first one and the band never really cared for the glossy 80’s style production that was on the album so they asked their friend to come in and remix it for this release. This is quite the daunting task as he says that he did not want to mess with what people felt to be ‘the definitive version’ of the song…the album that kids listened to 100 times in a week…the album that you threw into your car on a road trip. That’s why they released both the original and remixed versions in this set so that we would have the choice.

    After listening to the album this morning on the bus, I must say that I think the remixed version is superior to the original! It sounds more…Pearl Jam! They’ve got rid of a lot of the reverb that was all over the album. The instruments are more clear…you can pick out guitar bits better with the ear and certain songs resemble how they are in their live incarnation (like Porch. Mike McCready soars with his lead guitar work near the end of that song…something that I never really picked up with the original version).

    The album also comes with a few bonus tracks which consist of some leftover songs (Brother, Just a Girl), some demos (Breath and a Scream, State of Love and Trust) and some outtakes (2000 Mile Blues, Evil Little Goat). The demos are interesting to hear as they are rough compared to the their final versions…

    If you are a fan of Pearl Jam, I really encourage you to pick up their rerelease of Ten next week. The remixed album is amazing and let’s be honest, Ten is just a killer album from the birth of the alternative era. I don’t think there’s one person in Kapuskasing who was a teenager in the early 90s who doesn’t own this album.

    To those fans who have liked Pearl Jam over the years but never listened to their studio albums (Mike, this is for you), give Ten a listen. It’s still their best album and it just got better.

    iplaying: Why Go – Pearl Jam (Ten)

  • Excellent Points Regarding Scalping

    Trent Reznor posted up the following entry concerning the world of ticket sales. I’m copying the text in case in the years gone by, my grandchildren will still be able to read what it has to say as we all know the link will be dead in about fifty years:

    Original Link: http://forum.nin.com/bb/read.php?9,548515

    As we approach on-sale dates for the upcoming tour, I’ve noticed lots of you are curious / concerned / outraged at the plethora of tickets that somehow appear on all these reseller sites at inflated prices – even before the pre-sale dates. I’ll do my best to explain the situation as I see it, as well as clarify my organization’s stance in the matter.

    NIN decides to tour this summer. We arrive at the conclusion outdoor amphitheaters are the right venue for this outing, for a variety of reasons we’ve throughly considered*. In the past, NIN would sell the shows in each market to local promoters, who then “buy” the show from us to sell to you. Live Nation happens to own all the amphitheaters and bought most of the local promoters – so if you want to play those venues, you’re being promoted by Live Nation. Live Nation has had an exclusive deal with TicketMaster that has just expired, so Live Nation launched their own ticketing service. Most of the dates on this tour are through Live Nation, some are through TicketMaster – this is determined by the promoter (Live Nation), not us.
    Now we get into the issue of secondary markets for tickets, which is the hot issue here. The ticketing marketplace for rock concerts shows a real lack of sophistication, meaning this: the true market value of some tickets for some concerts is much higher than what the act wants to be perceived as charging. For example, there are some people who would be willing to pay $1,000 and up to be in the best seats for various shows, but MOST acts in the rock / pop world don’t want to come off as greedy pricks asking that much, even though the market says its value is that high. The acts know this, the venue knows this, the promoters know this, the ticketing company knows this and the scalpers really know this. So…

    The venue, the promoter, the ticketing agency and often the artist camp (artist, management and agent) take tickets from the pool of available seats and feed them directly to the re-seller (which from this point on will be referred to by their true name: SCALPER). I am not saying every one of the above entities all do this, nor am I saying they do it for all shows but this is a very common practice that happens more often than not. There is money to be made and they feel they should participate in it. There are a number of scams they employ to pull this off which is beyond the scope of this note.

    StubHub.com is an example of a re-seller / scalper. So is TicketsNow.com.

    Here’s the rub: TicketMaster has essentially been a monopoly for many years – certainly up until Live Nation’s exclusive deal ran out. They could have (and can right now) stop the secondary market dead in its tracks by doing the following: limit the amount of sales per customer, print names on the tickets and require ID / ticket matches at the venue. We know this works because we do it for our pre-sales. Why don’t THEY do it? It’s obvious – they make a lot of money fueling the secondary market. TicketMaster even bought a re-seller site and often bounces you over to that site to buy tickets (TicketsNow.com)!

    NIN gets 10% of the available seats for our own pre-sale. We won a tough (and I mean TOUGH) battle to get the best seats. We require you to sign up at our site (for free) to get tickets. We limit the amount you can buy, we print your name on the tickets and we have our own person let you in a separate entrance where we check your ID to match the ticket. We charge you a surcharge that has been less than TicketMaster’s or Live Nation’s in all cases so far to pay for the costs of doing this – it’s not a profit center for us. We have essentially stopped scalping by doing these things – because we want true fans to be able to get great seats and not get ripped off by these parasites.

    I assure you nobody in the NIN camp supplies or supports the practice of supplying tickets to these re-sellers because it’s not something we morally feel is the right thing to do. We are leaving money on the table here but it’s not always about money.
    Being completely honest, it IS something I’ve had to consider. If people are willing to pay a lot of money to sit up front AND ARE GOING TO ANYWAY thanks to the rigged system, why let that money go into the hands of the scalpers? I’m the one busting my ass up there every night. The conclusion really came down to it not feeling like the right thing to do – simple as that.

    My guess as to what will eventually happen if / when Live Nation and TicketMaster merges is that they’ll move to an auction or market-based pricing scheme – which will simply mean it will cost a lot more to get a good seat for a hot show. They will simply BECOME the scalper, eliminating them from the mix.

    Nothing’s going to change until the ticketing entity gets serious about stopping the problem – which of course they don’t see as a problem. The ultimate way to hurt scalpers is to not support them. Leave them holding the merchandise. If this subject interests you, check out the following links. Don’t buy from scalpers, and be suspect of artists singing the praises of the Live Nation / TicketMaster merger. What’s in it for them?

  • Review: Evil Dead The Musical (Carleton University)

    Carrie contacted me last week with some amazing news…Evil Dead the Musical was in town! Turns out that the Sock ‘n Buskin Theatre Company was holding the musical over at the Kailash Mital Theatre at Carleton University over the next two weeks.

    Vero, Mike and I headed over last night (Carrie was up near the front with some work friends) and grabbed some tickets, posed in front of the Ash paper maché statue and found a good spot in the middle of the theatre. I also wore my (fake) blood soaked t-shirt that I had originally worn to the Toronto production a few years back.

    The musical put on by this theatre was quite excellent. It brought back some good memories of the first time I had seen it and did not stray far at all from the original production I saw. The only complaint I have is that they did not incorporate my favourite part of when the trees in the woods were chasing after Cherryl!

    Even though there were a few minor technical problems (microphone feedback), this is to be expected on an opening night event. It in no way should reflect badly on this performance. It was top notch. I loved the actor’s portrayals of the characters, I love their body movements and I love, love, love the songs of this musical! Who can’t love songs such as “All The Men in my Life Turn into Candarian Demons”, “Do the Necrononicon” or “Ode to an Accidental Stabbing”? The jokes were solid, the delivery impeccable and the audience were in stitches the entire way through.

    Alas, my only other disappointment with this particular production of Evil Dead The Musical is the diminished amounts of fake blood! I remember gushes and gushes of it spraying into Ash’s face when he saws off his evil hand. I couldn’t even tell there was anything hitting his face this time around (but this may have been a technical mishap). But it was something that was amazing to see the first time out. I’m hoping they can incorporate a little more as the weeks go by.

    If you’re interested in going to see this musical, it’s on for the next weekends at the Carleton University theatre. Here’s some information: http://www.ottawaevents.org/event_details.php?id=4125

  • Ebay, How I Love Thee

    gwn_figurines2I tend to go onto Ebay from time to time but I never thought about going onto it to look for CDs until the other day.

    Here’s some deals I won within the past week:
    Candlebox Live CD/DVD – $1 USD
    Bob and Doug 24 Anniversary DVD (the same one I got Rob for his birthday!) – $1 USD

    Granted, I had to pay about $5 shipping for each of them but that’s still cheaper than I can buy them for in the stores. What a steal of a deal!

    I’m going to scour Ebay for great music/dvds from now on. I’m also in the running for the Doug McKenzie action figure which will complement my Bob McKenzie action figure. He was always so lonely.

  • Performer’s Rights

    pearl-jamI stumbled upon some news concerning Billy Corgan of the Smashing Pumpkins appearing before a US Congressional hearing concerning the royalties perfomers receive from radio play.

    Essentially (and I haven’t confirmed if this also applies for Canadian radio), when a song is played within the US, the songwriter receives royalties for the tune, however the performer does not. There is hope to make changes to this legislation to properly reward musical artists.

    Billy Corgan presented his view which was quite interesting (read here) and it talked about how performers should be properly compensated for a song that ends up on the radio.

    I agree with the changes in legislation. Take a closer look at such popular songs as ‘Tainted Love’ by Soft Cell (thanks Mike!), “Blinded by the Light” by Manfred Mann’s Earth Band, or ‘Last Kiss’ by Pearl Jam.

    Now in the above scenarios, ‘Tainted Love’ was actually written by Ed Cobb and recorded by Gloria Jones. This happened in 1964. Then in 1981, the band Soft Cell revamped the song and that’s the version that is most popular on the airwaves today.

    ‘Blinded by the Light’ is actually a Bruce Springsteen tune off of his first album ‘Greetings from Asbury Park’ N.J.’. Then Manfred Man’s Earth Band comes along with a souped up version and voila, a hit single is born and is the version that people are most familiar with. Wikipedia reports an interseting factoid concerning this song. “As of 2008, the Manfred Mann’s Earth Band recording of “Blinded by the Light” is still Springsteen’s only Number 1 single as a songwriter on the Hot 100.” That’s interesting.

    ‘Last Kiss’ by Pearl Jam is actually one tune that I recognized was a cover song. I remember years ago in the summer months that the Shell gas station would have some cassette tapes for sale each week over the summer. I believe they were the Solid Gold Hits or something to that effect. I remember listening to these tunes on trips down to Gaspe. Before Pearl Jam came out with their version a few years ago, Wayne Cochran wrote this tune and performed it with his band Wayne Cochran & the C.C. Riders back in 1962. Now, there is also a version covered by J. Frank Wilson and the Cavaliers in 1964 and that seems to have had major commercial success. I’m sure someone out there can tell me which version I would have been listening to.

    A sidenote: Is it not really interesting to see that bands were re-recording their own versions of songs that came out a few years prior? Most cover songs that I can think of have been around for a long time but I can’t think of many cover songs that are fairly recent. I wonder what people would think if I re-recorded a version of a Nickelback tune? I seriously doubt that it would get any radio play. But who knows?

    Now, should the performers of these songs not get their share of the profits? I believe they should. Imagine yourself being a new band on the market with a great tune written by someone else which becomes a hit on the radio. Granted, they are still getting something out of it with the deal…their name becomes popular and linked to this song, it may be bring larger album and tour sales. I don’t even know how many royalties come in from radio stations. But if you can imagine the number of radio stations across the US and then think if they play your song once a week, how many dollars and cents would be coming your way?

    On that note, I’m off to find a brilliant tune to cover.

  • Is Christian Rock supposed to be a musical genre?

    christian-rockWhat do I love?  I love when Eric, Mike and I get into a good debate.  There’s some good debating going on and I also love when one of us (myself included) throw out ludricrous statements to see if someone will challenge us on them.

    Last night, we got onto the topic of the rock genre in general and how one defines rock.  While that isn’t part of this entry, it spearheaded talk of how Mike had been listening to Allan Cross’s Ongoing History of New Music radio program and they had a segment about Christian Rock.  They mentioned how U2 was affiliated with Christian rock and even bands like Evanescence were even signed to some Christian Rock distributor for their first release.

    I found this intriguing.  I couldn’t understand how bands like this were labelled Christian rock but at the same time, I realized that I had a very narrow definition of what Christian Rock entails.  I assumed that the majority of your lyrics have blatant Christian themes and you’re not shy to play a church or two (and no Mike, playing in a church for the sake of playing in a church because it’s an awesome acoustic venue doesn’t count!).

    But after doing some research, it looked like Christian rock deals with any music relating to Christian themes…faith, higher power, all that jazz.

    What the heck?  A LOT of bands must have Christian rock in them somewhere.

    But the real kicker is when Eric pointed out that Christian rock is the only ‘lyrically subject’ theme that appears as a genre.  He hit the nail on the head with that comment.

    Think about it…we can’t think of one other genre that deals with a subject matter.  Old country music and blues songs may have a general mood that they wish the music and lyrics wish to convey, but a mood is a vast repertoire to create stories about.  My dog died, there’s a tear in my beer, someone stole my last potato chip…all these lyrics deal with the mood they are trying to convey.

    I can understand if Christian rock should be reclassified as ‘uplifting rock’ or ‘gospel music’.  That would make much more sense.  But to base an entire genre on one subject?  It doesn’t make much sense at all.  I ask anyone out there to bring me examples of ‘subject’ based music genres.  We really want to know if we are missing the boat on this one.  I want to be on the boat.  Ah, Lonely Island, your album is too funny.  SAXMAN!

    iplaying: The Wolves (Act I and II) – Bon Iver (For Emma, Forever Ago)

  • Jean-Francois’s Sushi Birthday

    Last night Vero, Mel and I headed to Jean-Francois’ surprise birthday at the Banc Sushi restaurant on Montreal Road. There was a good turnout of people.

    Now, as for sushi, I haven’t been known to delve into it too much. I had purchased the vegetarian sushi at work for the sheer factor of frugalness. It filled me up the same as the sushi I would pay more for if it contained crab meat, etc. Now, I’m not a fan of seafood in general and that bodes well for my relationship with Vero as she is allergic to it.

    So we didn’t know what to expect at this all you can eat sushi place. We started out with some none-seafood elements but once I saw a tray of assorted sushi plop down in front of Jean-Francois, I partook in the festivities and I must admit that I didn’t really mind it. I guess when it comes to seafood, if it’s wrapped up in rice and seaweed, I guess I don’t really mind it, compared to taking a big hunk of crab meat or lobster into my mouth.

    I was getting adventurous and when the boys wanted to order some eel, octopus and other assorted goodies and said “Sure!” but I think there must have been something lost in translation as none arrived for me. There was this really strange eggplant dish that arrived and we swore it was alive. It pulsated. We thought it was live octopus or something.

    In the end, I have to say that I’m a fan of the sushi in all forms at this point and wouldn’t mind going for it again. I can’t say that I’m a fan to the point where I would actively seek out a sushi restaurant to eat at, but I wouldn’t pass it up if the opportunity presented itself.

    I never did get to see the elusive Red Dragon dish though. We were disappointed that it never showed up.